I met Rick “Cookin’” Sherry during the summer of 1991 at Blues Week in
Rick is a harmonica player from
It was a pleasant evening. People were talking to their neighbors, and an elderly couple walked past on their way to Mass. Rick and I took off in his little car for the Checkerboard Lounge. As we sped along, the warm wind rushed past and brought the city sounds close to my ears. Off the expressway and deep into the heart of the South Side we plunged. Now I’m a stranger in a strange land. The faces are all black, and mine is white.
After Rick finishes, the MC asks him to come back another night. The Checkerboard is known as a proving ground for new musicians, and it’s a tough audience. Rick’s triumph gets a congratulatory handshake from me. Later I trade cards with and talk for awhile with Hinds. He’s a big tall man with a hat and an accent from
I wish the club had a piano, but I will get to show my chops later, at another club. The MC takes me over to meet a guy sitting in a booth. The greeting is cordial. I have no idea what this means, but I go along with it.
We get up to leave and stop briefly on the sidewalk outside the club. I introduce myself to the drummer. He has a local TV show. I also met Lefty Diz, who was to go on stage next. He told me he doesn’t drink when he’s “on the road.” Says he’s “all business” then.
Rick is waiting at his car. I realize this and begin walking across the street. I hear someone calling for me, following behind, catching up slowly. I decide now’s the time to walk quickly and get in the car. Off we go to a Mexican place.
Yoko Noge & Clark Dean
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During the break I introduce myself to Clark . I tell him I’m a piano player, and of course I’m invited to get up and play. I start with Boogie Woogie, a guaranteed hit. While I begin, I wonder what I’ll do for a second number. I noodle a bit, and then light into an energetic “Hold It.” Finally I invite Rick up to do “Sloppy Drunk,” a song we did together at Blues Week. We trade verses and instrumental breaks. All the songs generate rousing applause.
Toward the end of the next set, I’m invited up again to join the musicians on stage. Yoko asks me to play four-handed; I take the bass. I play some with her at first, then some alone. Tony on drums, Clark on sax and electric guitar, and Rick on harp. We finish with an inspired “Down Home Chicago.” Then handshakes and business cards are traded. We say goodbye and head home. I have a standing invitation to sit in with Yoko and Clark anytime I’m inChicago .
Postscript: Rick currently plays with "The Sanctified Grumblers." Check them out, and see them play live next time you're in Chicago!
Toward the end of the next set, I’m invited up again to join the musicians on stage. Yoko asks me to play four-handed; I take the bass. I play some with her at first, then some alone. Tony on drums, Clark on sax and electric guitar, and Rick on harp. We finish with an inspired “Down Home Chicago.” Then handshakes and business cards are traded. We say goodbye and head home. I have a standing invitation to sit in with Yoko and Clark anytime I’m in
Postscript: Rick currently plays with "The Sanctified Grumblers." Check them out, and see them play live next time you're in Chicago!